American artist Taylor Swift signed a contract with Big Machine Records, an independent house, 15 years ago.


Big Machine Records finances the production of these albums and, in return, the masters of the artist’s six premier albums (the masters of the original registrations of the chansons, and celui which has an effective effect on the masters of the exclusive exploitation rights commercial registrations ; distribution, ventilation, synchronization with films, etc.).


Taylor Swift sees all his royalties (a penny of the income earned through his work), but it’s not like he has the masters.


In 2019, Big Machine Records became an American product company within Scooter Braun (through the company Ithaca Holdings).


This time included the masters of the six premiere albums, which was a déclenché of a legal battle.


Enjeux juridiques.


The contents of the Masters property are apparently legal with Big Machine Records and are signed by Taylor Swift. She cannot obtain jurisdiction from the adversary.


To be clear, Taylor Swift is not entitled to privilege; The artist does not need to be consulted first, but has priority for his masters to go to Scooter Braun.


In practice, the artists cannot continue to contradict the dot for so long.


On the legal block, Taylor Swift has adopted a process of re-registering a large number of albums as a legal strategy for regulating control over their catalogue.


Cette démarche repose sur plusieurs juridiques principles:




For Taylor Swift, this period is the last years of the release of the albums in question.


Impact jurisdictions.


The new registrations of Taylor Swift, appelés “Taylor’s version“, perhaps worth it, a legal agreement with the old masters.


When checking these new registrations, the decision of exploitation can be made (for example between the use of old masters in publicity or audiovisual projects), a great victory over the jurisdiction of artists for the integration of their rights the author is divided into two categories: the compositions of the musical composition (text and melody), the best détenus of the author or the composition and the compositions of the registrations (masters), a great détenus of the production house that finances the production.


The epilogue of the contention is a mark in artistic practice, a precedent in Anglo-Saxon law, and a movement towards the balance between the relationships between producers and artists. dans l’industrie musicale.



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